Since 2006, Phil Moore’s Retro Instruments has been bringing back icons of the bygone era of the recording studio and updating them for modern engineers. From reimagined pieces like the Sta-Level, 176, OP-6 and Revolver to new 500 Series innovations like the Doublewide, these tools have the look and feel of the classic gear that they are inspired by.
We recently had the pleasure of sitting down with Phil Moore and
I’ll begin this review with a confession; in over two decades of mixing albums I’ve rarely mixed through a bus compressor. Why? The more I kept hearing that I “had to” in order to get good results, the more I balked at using one. I’d tried out the stereo compressors that I owned and was never quite enthused enough – plus I was getting decent mixes without a mix bus compressor, so why did I have to change my style of working? But when Phil Moore at Retro Instruments sent me his new Revolver two-channel tube compressor to try out, I realized… Read more at Tape Op magazine