Tag: Tube compressor

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Seawell Studios Retro STA-LEVEL Review

Josh Seawell

I’m excited to share with you a review of one of my all time favorite compressors, the Retro Sta Level! It is a beast and one of the few compressors you push up to 30db of gain reduction and it still sounds amazing! By the end of this review you’ll have a good idea of how it sounds on multiple instruments and vocals.

Male & Female Lead Vocal Demo (No Talking)

For more information on Professional mixing and mastering from Josh Seawell… find him here. https://seawellstudios.com/

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NEW TOYS by Barry Rudolph

Retro instruments Sta-Level Gold Edition

Retro’s Sta-Level is an updated version of the venerable Gates Sta-Level tube radio broadcast compression amplifier. Still based on the original 1950’s all-tube design, Retro adds modern features and new adjustability for more recording studio applications possible than the original units.

The Retro Sta-Level is capable of 40 dB of gain reduction with a signal-to-noise ratio of greater than 70dB and a THD (total harmonic distortion) of less than 1% at 30dB of GR. It has a near ‘ruler-flat’ frequency response within 0.5dB from 20-20,000Hz.

Read more of the complete review @ https://www.barryrudolph.com/newtoys/toys4/retrostalevel.html

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Vintage King Review Retro Instruments DOUBLEWIDE II

Vintage King LIVE vocal / music DOUBLEWIDE II review

Since 500 Series has grown in popularity, the Retro Instruments DOUBLEWIDE has been one of the best selling modules here at Vintage King. Watch our new demo of its successor, the DOUBLEWIDE II.

The long-awaited successor to the original 500-Series DOUBLEWIDE tube compressor featuring faster attack and release time, advanced stereo linking capabilities, and improved signal to noise ratio.
https://vintageking.com/retro-instruments-doublewide-ii

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Brian Hansen’s review of Retro 500PRE 500

Based on the Sta-Level, which is an incredibly vibey compressor with a ton of tone and compression abilities (hopefully I can do a review (and own) one of those bad boys some day!) the 500PRE has a deep, rich sound with the ability to add warmth to your source, saturate and even distort your signal if you desire (and I do). With up 75db of gain on board the 500PRE is a great match for ribbons, dynamics or condenser mics. With this pre if you want warm and clean, you got it.
If you want some more saturation/color/harmonics/tube squish with the high gain toggle engaged, you’ve got it.

The output knob is your friend on this unit, think of it like a..
COMPLETE REVIEW ON HIS BLOG


I think you’ll hear that the first one track has some dynamics and sounds the most open and clean and then as you move into the second and the third clip, the dynamics decrease and the sound thickens. This is the tubes giving you some sweet compression! The differences between Low Gain and High Gain 1 are subtle but I think thats the great thing about this pre amp! You can dial in exactly what you need. If the low gain file was just a little two clean and dynamic you could set it to something like the high gain 1 file and get a little warmth, thickness and transient control. Check out the screenshot below.
BDH Screenshot
You can even see how with each pass the transients gets more and more leveled out as the input gain continues to get turned up. This happened on every source that I recorded.

The high gain passes were….
COMPLETE REVIEW ON HIS BLOG
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Retro Instruments DOUBLEWIDE II Release

FOR IMMEDIATE RELEASE:
San Francisco, CA. November 8, 2018 – Retro Instruments, Inc. has just released the DOUBLEWIDE II, the long-awaited update to the original 500-Series DOUBLEWIDE tube compressor.

Retro is known for building authentic tube-based recording equipment for over 12 years. Phil Moore, Retro Instrument’s president and chief designer says: “we listened to our customers ideas and advice and developed our next-generation 500 series compressor, the Retro Instruments DOUBLEWIDE II!”


The DOUBLEWIDE II is a single-channel compressor that installs into two slots of a standard 500 series rack yet it requires only 130-milliamps of current—just like the original Retro DOUBLEWIDE compressor. Also retained from the original are the gray painted front panel, high-quality US-made Simpson gain- reduction meter, and hand wiring throughout (no troublesome ribbon cables). DOUBLEWIDE II’s excellent build-quality is apparent starting with the American-made PC board and extends to the durable and attractive stainless steel case and, don’t forget, we only use Cinemag’s highest-quality input and output transformers for authentic tone and weight plus the complete freedom from external interference and noise.

During initial user testing and comparison, the DOUBLEWIDE II immediately exceeded all expectations with increased flexibility and control that many original DOUBLEWIDE users have demanded. With both faster attack and release (recovery) times now possible, the DOUBLEWIDE II excels at energizing vocal tracks as well as controlling bass, guitars and drum tracks in an elegant and transparent way or go extreme and radical—or dial in anywhere in between!

Our beta testers/recording engineers found the new DOUBLEWIDE II nearly magical for processing all percussive sounds easily; it’s capable of tight, sonic consistency all the way to explosive, full-bodied impact on snares, kicks and tom-toms. With the addition of the new stereo linking feature (in a 500 racks that support linking), two DOUBLEWIDE IIs are just amazing for drum overheads, pianos, stereo pads, backing vocals; the list grows daily with new uses coming in from our customers.

Media Contact: Len Estrada Media Relations T 209-810-3344 info@retroinstruments.com

We hope you join this list of happy and satisfied Retro Instruments customers who depend on the awesome sound and processing power of the new DOUBLEWIDE II 500-Series Tube Compressor!